Wednesday, December 19, 2007

A Defense of Ugly Things by GK Chesterton

A DEFENCE OF UGLY THINGSThere are some people who state that the exterior, sex, or physique ofanother person is indifferent to them, that they care only for thecommunion of mind with mind; but these people need not detain us. Thereare some statements that no one ever thinks of believing, however oftenthey are made.But while nothing in this world would persuade us that a great friend ofMr. Forbes Robertson, let us say, would experience no surprise ordiscomfort at seeing him enter the room in the bodily form of Mr.Chaplin, there is a confusion constantly made between being attracted byexterior, which is natural and universal, and being attracted by what iscalled physical beauty, which is not entirely natural and not in theleast universal. Or rather, to speak more strictly, the conception ofphysical beauty has been narrowed to mean a certain kind of physicalbeauty which no more exhausts the possibilities of externalattractiveness than the respectability of a Clapham builder exhauststhe possibilities of moral attractiveness.The tyrants and deceivers of mankind in this matter have been theGreeks. All their splendid work for civilization ought not to havewholly blinded us to the fact of their great and terrible sin againstthe variety of life. It is a remarkable fact that while the Jews havelong ago been rebelled against and accused of blighting the world with astringent and one-sided ethical standard, nobody has noticed that theGreeks have committed us to an infinitely more horrible asceticism--anasceticism of the fancy, a worship of one aesthetic type alone. Jewishseverity had at least common-sense as its basis; it recognised that menlived in a world of fact, and that if a man married within the degreesof blood certain consequences might follow. But they did not starvetheir instinct for contrasts and combinations; their prophets gave twowings to the ox and any number of eyes to the cherubim with all theriotous ingenuity of Lewis Carroll. But the Greeks carried their policeregulation into elfland; they vetoed not the actual adulteries of theearth but the wild weddings of ideas, and forbade the banns of thought.It is extraordinary to watch the gradual emasculation of the monstersof Greek myth under the pestilent influence of the Apollo Belvedere. Thechimaera was a creature of whom any healthy-minded people would havebeen proud; but when we see it in Greek pictures we feel inclined to tiea ribbon round its neck and give it a saucer of milk. Who ever feelsthat the giants in Greek art and poetry were really big--big as somefolk-lore giants have been? In some Scandinavian story a hero walks formiles along a mountain ridge, which eventually turns out to be thebridge of the giant's nose. That is what we should call, with a calmconscience, a large giant. But this earthquake fancy terrified theGreeks, and their terror has terrified all mankind out of their naturallove of size, vitality, variety, energy, ugliness. Nature intended everyhuman face, so long as it was forcible, individual, and expressive, tobe regarded as distinct from all others, as a poplar is distinct from anoak, and an apple-tree from a willow. But what the Dutch gardeners didfor trees the Greeks did for the human form; they lopped away its livingand sprawling features to give it a certain academic shape; they hackedoff noses and pared down chins with a ghastly horticultural calm. Andthey have really succeeded so far as to make us call some of the mostpowerful and endearing faces ugly, and some of the most silly andrepulsive faces beautiful. This disgraceful _via media_, this pitifulsense of dignity, has bitten far deeper into the soul of moderncivilization than the external and practical Puritanism of Israel. TheJew at the worst told a man to dance in fetters; the Greek put anexquisite vase upon his head and told him not to move.Scripture says that one star differeth from another in glory, and thesame conception applies to noses. To insist that one type of face isugly because it differs from that of the Venus of Milo is to look at itentirely in a misleading light. It is strange that we should resentpeople differing from ourselves; we should resent much more violentlytheir resembling ourselves. This principle has made a sufficient hash ofliterary criticism, in which it is always the custom to complain of thelack of sound logic in a fairy tale, and the entire absence of trueoratorical power in a three-act farce. But to call another man's faceugly because it powerfully expresses another man's soul is likecomplaining that a cabbage has not two legs. If we did so, the onlycourse for the cabbage would be to point out with severity, but withsome show of truth, that we were not a beautiful green all over.But this frigid theory of the beautiful has not succeeded in conqueringthe art of the world, except in name. In some quarters, indeed, it hasnever held sway. A glance at Chinese dragons or Japanese gods will showhow independent are Orientals of the conventional idea of facial andbodily regularity, and how keen and fiery is their enjoyment of realbeauty, of goggle eyes, of sprawling claws, of gaping mouths andwrithing coils. In the Middle Ages men broke away from the Greekstandard of beauty, and lifted up in adoration to heaven great towers,which seemed alive with dancing apes and devils. In the full summer oftechnical artistic perfection the revolt was carried to its realconsummation in the study of the faces of men. Rembrandt declared thesane and manly gospel that a man was dignified, not when he was like aGreek god, but when he had a strong, square nose like a cudgel, aboldly-blocked head like a helmet, and a jaw like a steel trap.This branch of art is commonly dismissed as the grotesque. We have neverbeen able to understand why it should be humiliating to be laughable,since it is giving an elevated artistic pleasure to others. If agentleman who saw us in the street were suddenly to burst into tears atthe mere thought of our existence, it might be considered disquietingand uncomplimentary; but laughter is not uncomplimentary. In truth,however, the phrase 'grotesque' is a misleading description of uglinessin art. It does not follow that either the Chinese dragons or the Gothicgargoyles or the goblinish old women of Rembrandt were in the leastintended to be comic. Their extravagance was not the extravagance ofsatire, but simply the extravagance of vitality; and here lies the wholekey of the place of ugliness in aesthetics. We like to see a crag jutout in shameless decision from the cliff, we like to see the red pinesstand up hardily upon a high cliff, we like to see a chasm cloven fromend to end of a mountain. With equally noble enthusiasm we like to see anose jut out decisively, we like to see the red hair of a friend standup hardily in bristles upon his head, we like to see his mouth broad andclean cut like the mountain crevasse. At least some of us like all this;it is not a question of humour. We do not burst with amusement at thefirst sight of the pines or the chasm; but we like them because they areexpressive of the dramatic stillness of Nature, her bold experiments,her definite departures, her fearlessness and savage pride in herchildren. The moment we have snapped the spell of conventional beauty,there are a million beautiful faces waiting for us everywhere, just asthere are a million beautiful spirits.

http://www.fullbooks.com/The-Defendant.html

Saturday, December 15, 2007

CS Lewis on Masculine and Feminine

Hello All,

I know it has been awhile since I have had a real post rather than just a bit of someone else's writing but I promise that I shall throw up some on my own ideas soon. Here is an excerpt from Lewis's Perelandra on Masculine and Feminine. I am currently writing a paper on it for Peter Kreeft and plan on posting that, along with an undergraduate paper on Tolkien's idea of Male and Female in the near future.

All the best! May the hair on your toes never fall out,

Taylor

Perelandra is the second of his “Space Trilogy” and occurs on the young planet of Venus where a creation story similar to that of Earth’s is transpiring. Near the end of the volume Ransom, the hero of the trilogy, encounters two angels, or eldils, as they are called in the fantasy,

"Both bodies were naked, and both were free from any sexual characteristics, either primary or secondary. That, one would have expected. But whence came this curious difference between them? He found that he could point to no single feature wherein the difference resided, yet it was impossible to ignore. One could try – Ransom has tried a hundred times – to put it into words. He has said that Malacandra was like rhythm and Perelandra like melody. He has said that Malacandra affected him like a quantitative, Perelandra like an accentual, metre. He thinks that the first held in his hand something like a spear, but the hands of the other were open, with palms toward him. But I don’t know that any of these attempts has helped be much. At all events what Ransom saw at that moment was the real meaning of gender. Everyone must sometimes have wondered why in nearly all tongues certain inanimate objects are masculine and other feminine. What is masculine about a mountain or feminine about certain trees? Ransom has cured me of believing that this is a purely morphological phenomenon, depending on the form of the word. Still less is gender an imaginative extension of sex. Our ancestors did not make mountains masculine because they projected male characteristics into them. The real process is the reverse. Gender is a reality, and a more fundamental reality than sex. Sex is, in fact, merely the adaptation to organic life of a fundamental polarity which divides all created beings. Female sex is simply one of the things that have feminine gender; there are many others, and Masculine and Feminine meet us planes of reality where male and female would be simply meaningless. Masculine is not attenuated male, not feminine attenuated female. On the contrary, the male and female of organic creatures are rather faint and blurred reflections of masculine and feminine. Their reproductive functions, their differences in strength and size, partly exhibit, but partly also confuse and misrepresent, the real polarity… Malacandra seemed to him to have the look of one standing armed, at the ramparts of his own remote archaic world, in ceaseless vigilance, his eyes ever roaming the earth-ward horizon whence his danger came long ago. “A sailor’s look,” Ransom once said to me; “you know… eyes that are impregnated with distance.” But the eyes of Perelandra opened, as it were, inward, as if they were the curtained gateway to a world of waves and murmurings and wandering airs, of life that rocked in winds and splashed on mossy stones and descended as the dew and arose sunward in thin-spun delicacy of mist." (Perelandra 200-1)

Sunday, December 09, 2007

Lewis on Priestesses

Priestesses in the Church?
by C.S. Lewis
"I should like balls infinitely better," said Caroline Bingley, "if they were carried on in a different manner ... It would surely be much more rational if conversation instead of dancing made the order of the day."
"Much more rational, I dare say," replied her brother, "but it would not be near so much like a Ball." We are told that the lady was silenced: yet it could be maintained that Jane Austen has not allowed Bingley to put forward the full strength of his position. He ought to have replied with a distinguo. In one sense, conversation is more rational, for conversation may exercise the reason alone, dancing does not. But there is nothing irrational in exercising other powers than our reason. On certain occasions and for certain purposes the real irrationality is with those who will not do so. The man who would try to break a horse or write a poem or beget a child by pure syllogizing would be an irrational man; though at the same time syllogizing is in itself a more rational activity than the activities demanded by these achievements. It is rational not to reason, or not to limit oneself to reason, in the wrong place; and the more rational a man is the better he knows this.
These remarks are not intended as a contribution to the criticism of Pride and Prejudice. They came into my head when I heard that the Church of England was being advised to declare women capable of Priests' Orders. I am, indeed, informed that such a proposal is very unlikely to be seriously considered by the authorities. To take such a revolutionary step at the present moment, to cut ourselves off from the Christian past and to widen the divisions between ourselves and other Churches by establishing an order of priestesses in our midst, would be an almost wanton degree of imprudence. And the Church of England herself would be torn in shreds by the operation. My concern with the proposal is of a more theoretical kind. The question involves something even deeper than a revolution in order.
I have every respect for those who wish women to be priestesses. I think they are sincere and pious and sensible people. Indeed, in a way they are too sensible. That is where my dissent from them resembles Bingley's dissent from his sister. I am tempted to say that the proposed arrangement would make us much more rational "but not near so much like a Church".
For at first sight all the rationality (in Caroline Bingley's sense) is on the side of the innovators. We are short of priests. We have discovered in one profession after another that women can do very well all sorts of things which were once supposed to be in the power of men alone. No one among those who dislike the proposal is maintaining that women are less capable than men of piety, zeal, learning and whatever else seems necessary for the pastoral office. What, then, except prejudice begotten by tradition, forbids us to draw on the huge reserves which could pour into the priesthood if women were here, as in so many other professions, put on the same footing as men? And against this flood of common sense, the opposers (many of them women) can produce at first nothing but an inarticulate distaste, a sense of discomfort which they themselves find it hard to analyse.
That this reaction does not spring from any contempt for women is, I think, plain from history. The Middle Ages carried their reverence for one Woman to a point at which the charge could be plausibly made that the Blessed Virgin became in their eyes almost "a fourth Person of the Trinity". But never, so far as I know, in all those ages was anything remotely resembling a sacerdotal office attributed to her. All salvation depends on the decision which she made in the words Ecce ancilla; she is united in nine months' inconceivable intimacy with the eternal Word; she stands at the foot of the cross. But she is absent both from the Last Supper and from the descent of the Spirit at Pentecost. Such is the record of Scripture. Nor can you daff it aside by saying that local and temporary conditions condemned women to silence and private life. There were female preachers. One man had four daughters who all "prophesied", i.e. preached. There were prophetesses even in Old Testament times. Prophetesses, not priestesses.
At this point the common sensible reformer is apt to ask why, if women can preach, they cannot do all the rest of a priest's work. This question deepens the discomfort of my side. We begin to feel that what really divides us from our opponents is a difference between the meaning which they and we give to the word "priest". The more they speak (and speak truly) about the competence of women in administration, their tact and sympathy as advisers, their national talent for "visiting", the more we feel that the central thing is being forgotten. To us a priest is primarily a representative, a double representative, who represents us to God and God to us. Our very eyes teach us this in church. Sometimes the priest turns his back on us and faces the East - he speaks to God for us: sometimes he faces us and speaks to us for God. We have no objection to a woman doing the first: the whole difficulty is about the second. But why? Why should a woman not in this sense represent God? Certainly not because she is necessarily, or even probably, less holy or less charitable or stupider than a man. In that sense she may be as "God-like" as a man; and a given women much more so than a given man. The sense in which she cannot represent God will perhaps be plainer if we look at the thing the other way round.
Suppose the reformer stops saying that a good woman may be like God and begins saying that God is like a good woman. Suppose he says that we might just as well pray to "Our Mother which art in heaven" as to "Our Father". Suppose he suggests that the Incarnation might just as well have taken a female as a male form, and the Second Person of the Trinity be as well called the Daughter as the Son. Suppose, finally, that the mystical marriage were reversed, that the Church were the Bridegroom and Christ the Bride. All this, as it seems to me, is involved in the claim that a woman can represent God as a priest does.
Now it is surely the case that if all these supposals were ever carried into effect we should be embarked on a different religion. Goddesses have, of course, been worshipped: many religions have had priestesses. But they are religions quite different in character from Christianity. Common sense, disregarding the discomfort, or even the horror, which the idea of turning all our theological language into the feminine gender arouses in most Christians, will ask "Why not? Since God is in fact not a biological being and has no sex, what can it matter whether we say He or She, Father or Mother, Son or Daughter?"
But Christians think that God Himself has taught us how to speak of Him. To say that it does not matter is to say either that all the masculine imagery is not inspired, is merely human in origin, or else that, though inspired, it is quite arbitrary and unessential. And this is surely intolerable: or, if tolerable, it is an argument not in favour of Christian priestesses but against Christianity. It is also surely based on a shallow view of imagery. Without drawing upon religion, we know from our poetical experience that image and apprehension cleave closer together than common sense is here prepared to admit; that a child who has been taught to pray to a Mother in Heaven would have a religious life radically different from that of a Christian child. And as image and apprehension are in an organic unity, so, for a Christian, are human body and human soul.
The innovators are really implying that sex is something superficial, irrelevant to the spiritual life. To say that men and women are equally eligible for a certain profession is to say that for the purposes of that profession their sex is irrelevant. We are, within that context, treating both as neuters.
As the State grows more like a hive or an ant-hill it needs an increasing number of workers who can be treated as neuters. This may be inevitable for our secular life. But in our Christian life we must return to reality. There we are not homogeneous units, but different and complementary organs of a mystical body. Lady Nunburnholme has claimed that the equality of men and women is a Christian principle. I do not remember the text in scripture nor the Fathers, nor Hooker, nor the Prayer Book which asserts it; but that is not here my point. The point is that unless "equal" means "interchangeable", equality makes nothing for the priesthood of women. And the kind of equality which implies that the equals are interchangeable (like counters or identical machines) is, among humans, a legal fiction. It may be a useful legal fiction. But in church we turn our back on fictions. One of the ends for which sex was created was to symbolize to us the hidden things of God. One of the functions of human marriage is to express the nature of the union between Christ and the Church. We have no authority to take the living and semitive figures which God has painted on the canvas of our nature and shift them about as if they were mere geometrical figures.
This is what common sense will call "mystical". Exactly. The Church claims to be the bearer of a revelation. If that claim is false then we want not to make priestesses but to abolish priests. If it is true, then we should expect to find in the Church an element which unbelievers will call irrational and which believers will call supra-rational. There ought to be something in it opaque to our reason though not contrary to it - as the facts of sex and sense on the natural level are opaque. And that is the real issue. The Church of England can remain a church only if she retains this opaque element. If we abandon that, if we retain only what can be justified by standards of prudence and convenience at the bar of enlightened common sense, then we exchange revelation for that old wraith Natural Religion.
It is painful, being a man, to have to assert the privilege, or the burden, which Christianity lays upon my own sex. I am crushingly aware how inadequate most of us are, in our actual and historical individualities, to fill the place prepared for us. But it is an old saying in the army that you salute the uniform not the wearer. Only one wearing the masculine uniform can (provisionally, and till the Parousia) represent the Lord to the Church: for we are all, corporately and individually, feminine to Him. We men may often make very bad priests. That is because we are insufficiently masculine. It is no cure to call in those who are not masculine at all. A given man may make a very bad husband; you cannot mend matters by trying to reverse the roles. He may make a bad male partner in a dance. The cure for that is that men should more diligently attend dancing classes; not that the ballroom should henceforward ignore distinctions of sex and treat all dancers as neuter. That would, of course, be eminently sensible, civilized, and enlightened, but, once more, "not near so much like a Ball".
And this parallel between the Church and the Ball is not so fanciful as some would think. The Church ought to be more like a Ball than it is like a factory or a political party. Or, to speak more strictly, they are at the circumference and the Church at the Centre and the Ball comes in between. The factory and the political party are artificial creations - "a breath can make them as a breath has made". In them we are not dealing with human beings in their concrete entirety only with "hands" or voters. I am not of course using "artificial" in any derogatory sense. Such artifices are necessary: but because they are our artifices we are free to shuffle, scrap and experiment as we please. But the Ball exists to stylize something which is natural and which concerns human beings in their entirety - namely, courtship. We cannot shuffle or tamper so much. With the Church, we are farther in: for there we are dealing with male and female not merely as facts of nature but as the live and awful shadows of realities utterly beyond our control and largely beyond our direct knowledge. Or rather, we are not dealing with them but (as we shall soon learn if we meddle) they are dealing with us.